The electronic prison is impossible without 5G. They are being used to put you in an electronic prison. They are vulnerable boxes sitting in your neighborhoods. The 5G ‘towers’ (boxes) are everywhere around you. Those who already know deep in their hearts and souls it is time to fight can get busy addressing the one technology the Great Fascist Reset must have in order to enslave-5G. The ‘story’ of the Great Fascist Resent benefits when it is not just one voice telling this tale. That is why you see here in “p53 Speaks” many different voices and writers to help others see the extreme danger of what is unfolding. Because of the mass brainwashing and propaganda many people haven’t seen the full horror of what has been committed. I wrote ‘p53 Speaks’ to motivate people to fight. Many people already know we need to fight, but many do not For Substack, both pieces together were too long for one post so they were separated. Centering the impact on Americans who are effectively doubly victimized shows the real potential of Invasion’s vision.This AFTERWARD is meant to follow ‘p53 Speaks: Taking Down the Global Predators and the New Fascist World Order”. 11, 2001, but Invasion makes the comparison explicit as Malik’s neighbors start questioning if the damage is a result of a terrorist attack and looking with suspicion at their Middle Eastern neighbors. The early part of the drama is especially rote, filled with over-the-top scenarios and dull lines like Ahmed telling Aneesha the primary reason he’s attracted to the Instagram influencer he’s having an affair with is “she’s not you.” But once unexplained explosions start racking their neighborhood, the plot takes a turn reminiscent of the classic The Twilight Zone episode “The Monsters Are Due on Maple Street.” Numerous films like The Avengers and Godzilla have used invading aliens and monsters as a metaphor for the trauma of Sept. Their plot feels like part of the recent wave of dramas like Marriage Story and Scenes from a Marriage, chronicling the melodramatic disintegration of a relationship where the messy emotions all have to be put aside to protect the children from descending chaos. The other rocky love story surrounds Aneesha Malik (Golshifteh Farahani), a Syrian refugee living in America with her pathetic husband Ahmed (Firas Nassar) and their young kids. At least when she snaps into action, the show comes into focus, transforming into a compelling thriller. Considering how the space narrative feels like it has the most potential to push the plot along, it’s frustrating to watch Mitsuki spend so much time paralyzed by her emotions, even if those feelings are understandable. It has the feel of a moody indie flick, filled with mooning, brooding, and poor coping mechanisms. One focuses on Mitsuki Yamato (Shioli Kutsuna), a Japanese aerospace technician having an affair with an astronaut about to leave Earth for the International Space Station. That plot pauses with a cliffhanger at the end of episode one, with Neill not reappearing in the following two episodes, and the show is stronger for it.Īlso too ponderous is the show’s pair of big relationship dramas. It feels like the writers are striving for the mood of No Country for Old Men, with an aging lawman confronting evil he’s largely powerless to fight, but juxtaposing an extraterrestrial mystery atop scenes of white supremacist meth dealers and Neill’s mournful monologues about faith feels terribly forced. The first episode, “Love of My Life” is the roughest part of the premiere, focused mostly on Jim Bell Tyson (Sam Neill), a small-town sheriff on the cusp of retiring looking to solve one last case to bring meaning to his life and career.
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